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The sensationalism of criminal justice



Posted on January 10, 2008
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On November 5, 2006, the now infamous To Catch a Predator made a somber turn as suspect Louis William Conradt committed suicide after a SWAT team entered his house, Dateline NBC cameras recording the action. The show has been no stranger to criticism, but this shocking ending opened the flood gates.

As NBC was revealing the results of a forensic report on Conradt’s computer (contained porn, including some child pornography), Esquire magazine released an incisive critique of the circumstances surrounding Conradt’s death: Tonight on Dateline This Man Will Die. The article criticizes almost every aspect of the investigation and subsequent arrest, and draws heavily on unaired footage that contradicts the official NBC story.

NBC responded, stressing the number of previous investigations that had led to convictions, and that ultimately, Conradt was a sexual offender. Unfortunately, declining to chastise Dateline NBC for its means in light of its ends moves the debate into murky territory. However, neither should critics editorialize so egregiously (e.g., Esquire expressing disappointment over a detective writing up a warrant for Conradt rather than quitting) when the truth is damning enough.

Either way, none of this bodes well for what journalist John Hockenberry learned about network television at Dateline NBC. (Hint: NBC is in it for the ratings.)




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